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About the book DOKSICID S-TIU/4
Namera ove knjige nije da pruži sveobuhvatan pregled razine teorije u savremenom svetu izvođačkih umetnosti. Glavni cilj je da se teorija odvoji od područja čisto akademske humanistike i pokaže da ona pre svega jeste praksa i/ili se mora izboriti da to bude. Kao takva, teorija izvođačkih umetnosti ne uživa autonomni i neinterventni status kontemplacije i analize umetničkih dela, kontekstualnih razlika, dijahronijskih promena, organizacionih mehanizama i ostalih »objekata« koje pronalazi u području umetnosti. Umesto toga, ona reflektuje sopstveno mesto u prostoru prakse sveta umetnosti, koji teoretizuje, ali i u kojem nužno deluje, bez obzira kako se sama postavljala prema takvom statusu. Inače, ona sopstvenu intervenciju u društvene odnose, koju delovanjem u javnoj sferi neizbežno izvodi, shvata kao smetnju ili, čak, previđa, kao »slepu mrlju«.