- comics
- computer science
- current affairs
-
dictionaries / grammars / foreign languages
-
dictionaries
- croatian dictionaries
- czech dictionaries
- dictionary of art
- english dictionaries
- french dictionaries
- german dictionaries
- greek dictionaries
- italian dictionaries
- latin dictionaries
- polish dictionaries
- portuguese dictionaries
- romanian dictionaries
- russian dictionaries
- spanish dictionaries
- slovak dictionaries
- slovenian dictionaries
- foreign languages
- grammar
-
dictionaries
- economics
- gifts
- encyclopedia / handbooks
- erotica / sex
- history
- hobbies
- humour
- literature
- magazines
- maritime affairs
- multimedia publications
- natural science
- other editions
- politics
- popular science
-
reading
- 1st grade of elementary school
- 2nd grade of elementary school
- 3rd grade of elementary school
- 4th grade of elementary school
- 5th grade of elementary school
- 6th grade of elementary school
- 7th grade of elementary school
- 8th grade elementary school
- 1st grade of high school
- 2nd grade of high school
- 3rd grade of high school
- 4th grade of high school
- religion / mythology
- social sciences
- technology / engineering / construction
- textbooks
- textbooks of vocational schools and faculties
- tourism
- travel-records

About the book SAJAM EROTIKE
I zato u Panovićevom Sajmu erotike čitamo u kakvoj su vezi Tito i partijska knjižica sa dugom kosom članova benda Deep Purple, te u kakvom odnosu stoje mađarski gulaš i Pol Makartni; čitamo i kakav je simbolički i politički značaj koncerta Roling Stonsa za jedno društvo, a upoznajemo se i sa tim zašto koncert Red Hot Čili Pepersa zadobija karakter religijskog hodočašća; zatim, na primeru Buena Vista Social Club, od Panovića učimo kako se sirotinja (baza) pretapa u muziku (nadgradnja) u kubanskom marksističkom eksperimentu. Panović je i antropolog: o paganskim kultovima (ali i o Dirkemovom „Samoubistvu“) učimo iz njegove slike o Kurtu Kobejnu, a o paganskoj praksi, magiji, iz opisa produkcijskog savršenstva nakon koncertnog susreta sa Simply Red. I konačno, Springstin, Gazda, to vanbračno dete Boba Dilana i DŽejmsa Brauna, ostavljeno u DŽersiju. Dobijamo precizan opis kako to on može biti istinski prorok radničke klase,bez klišea i pozeraja. Te kako njegova muzika uživo može biti ispomoć u dosezanju te famozne klasne svesti.(Aleksej Kišjuhas)